“When the topic is most serious, understate; when least serious, exaggerate.”
This statement above is Roy Peter Clark’s Tool #21. In his book, Writing Tools, he gives this example from John Hersey’s Hiroshima:
At exactly fifteen minutes past eight in the morning, on August 6, 1945, Japanese time, at the moment when the atomic bomb flashed above Hiroshima, Miss Toshiko Sasaki, a clerk in the personnel department of the East Asia Tin Works, had just sat down at her place in the plant office and was turning her head to speak to the girl in the next desk.
The last part of this sentence is mundane, downplayed and ordinary, yet the subject is obscenely serious.
Contrast that description with this description of former New York City mayor Ed Koch for the Associated Press:
“He is the freshest thing to blossom in New York since chopped liver, a mixed metaphor of a politician, the antithesis of the packaged leader, irrepressible, candid, impolitic, spontaneous, funny, feisty, independent, uncowed by voter blocs, unsexy, … a man oddly at peace with himself in an unpeaceful place, a mayor who presides over the country’s largest Babel with unseemly joy.”
The nonserious tone brings some freshness to an otherwise stale and dreary topic.


