Feeding the Muse

“When the topic is most serious, understate; when least serious, exaggerate.”

This statement above is Roy Peter Clark’s Tool #21. In his book, Writing Tools, he gives this example from John Hersey’s Hiroshima:

At exactly fifteen minutes past eight in the morning, on August 6, 1945, Japanese time, at the moment when the atomic bomb flashed above Hiroshima, Miss Toshiko Sasaki, a clerk in the personnel department of the East Asia Tin Works, had just sat down at her place in the plant office and was turning her head to speak to the girl in the next desk.

The last part of this sentence is mundane, downplayed and ordinary, yet the subject is obscenely serious.

Contrast that description with this description of former New York City mayor Ed Koch for the Associated Press:

“He is the freshest thing to blossom in New York since chopped liver, a mixed metaphor of a politician, the antithesis of the packaged leader, irrepressible, candid, impolitic, spontaneous, funny, feisty, independent, uncowed by voter blocs, unsexy, … a man oddly at peace with himself in an unpeaceful place, a mayor who presides over the country’s largest Babel with unseemly joy.”

The nonserious tone brings some freshness to an otherwise stale and dreary topic.

Today, I voted on a session at this year’s SWSX Conference. In case you don’t know, this is one of the premiere technology conferences. One of the more interesting panels being considered is called “Interactive Narratives — Creating the Future of Literature.”

Here’s the description of the panel:

Literature need no longer be defined and confined by the objects that contain it—books and magazines and pages. New Media technologies like Augmented Reality, Transmedia Storytelling, and interactive stories offer new ways for narratives to be created and experienced. How can writers and developers work together to create new forms of literature?

I encountered similar thoughts about the future of literature in the most recent issue of Wired Magazine. The article, written by Chris Anderson, boldly pronounced that “the web is dead, but long live the internet.” He explained that we use the Internet to stream movies on Netflix, listen to radio on Pandora, log into Facebook using an iPhone app and so forth. The desktop website is losing its significance, in other words.

Instead pen, ink paper — and the traditional publisher, so many more options are available for writers to tell their stories.

My wife loves a good treasure hunt. Almost every week, she scours the clothes rack for Ann Taylor or other design wear donated to ARC or Goodwill charities for a small tax credit by a debt-laden middle class woman. It equally delights and thrills her spirit when she’s at Dillard’s or another store at the mall and finds leftover winter clothes at deeply-discounted prices  during the summer months.

Ninety percent off! I can’t believe I found a $400 dress for only $10 bucks!

She’ll repeat her find like a parrot (my perspective) or like a pirate who has just discovered a treasure chest of gold (her perspective).  Her frugality is one of the million reasons why I love her. Her frugality is also the reason why the latest Poynter Online article stuck with me.

Another gem, delivered by Roy Peter Clark, is about a journalist who, on a whim, decided to scour the want ads for story ideas.

“Bird –- Cockatiel, grey with white face. St. Pete Beach area. Whistles at toes!  Heartbroken. [Phone number]…”

Long story short, the wire picked up the story, and newspapers around the country ran the piece about an old man with the toe-fetish cockatoo. The parrot was identified when — get this — a woman took off her shoes and wiggled her feet.

Here’s your takeaway: Look for story ideas in secondhand stores — or in this case, the want ads.  Dig around in unexpected places. Who knows. You might just get lucky and find a precious diamond in the dusty coal in the form of a terrific story.

When I taught school — all 7th, 9th, 10th, 11th and 12th grades — teaching my students how to write was always a battle. I’d push, they’d pull. Every once in a while, you’d find a teenage girl or boy who embraced the rules of writing and who wanted to take the time to get it right, rather than just rush through it. What helped me then was an article I’d read about the beginning of the texting era, and how some teachers were disturbed when kids didn’t understand the value in a five-paragraph essay. One teacher, though, adapted to the technology. Don’t be alarmed, teachers! She commented how she taught the traditional way, but because we speak in micro-bytes and social media tools like Twitter were becoming en vogue, she adapted her lessons to include writing in 140 characters or less.

This article about how social media affects the way we write is a good reminder that technology works its way into every aspect of our lives. The impact is great, and much of the time, what separates the successful from the unsuccessful writer is how willing he or she is willing to change and adapt without violating the writing fundamentals. After all, even good Tweets use a verb after a subject.

I confess. This post isn’t about Jerry Seinfeld. I’ve never met the guy.  This tip comes at least second hand when a writer for www.lifehacker.com tells of when he hung around comedy clubs. Lo and behold, Seinfeld was performing a few jokes and offered up some advice after the show:

He said the way to be a better comic was to create better jokes and the way to create better jokes was to write every day. But his advice was better than that. He had a gem of a leverage technique he used on himself and you can use it to motivate yourself—even when you don’t feel like it.

He revealed a unique calendar system he uses to pressure himself to write. Here’s how it works.

He told me to get a big wall calendar that has a whole year on one page and hang it on a prominent wall. The next step was to get a big red magic marker.

He said for each day that I do my task of writing, I get to put a big red X over that day. “After a few days you’ll have a chain. Just keep at it and the chain will grow longer every day. You’ll like seeing that chain, especially when you get a few weeks under your belt. Your only job next is to not break the chain.

Whether your goal is to write a Tolstoy-esque novel or you just want to stop eating so much Ben and Jerry’s each night, his advice is sound. Setting deadlines for yourself until your new habits become natural is golden.

A couple of other little writing tools piqued my interest, that I thought I’d share. 750words.com and writeordie.com are two sites that encourage you to set daily writing goals of _______ number of words. The interface allows the user to character-count backwards.

Have you seen other writing tools or encourage a different kind of productivity? If so, please share!